Roxana Ramos

As a visual artist, I move between art with others, bodily actions, crafts or practices, voice and landscape.

 

I have decided to articulate my work based on other people’s poetic practices; retake and de-construct the jobs and tasks of those who suggest me, as well as produce in community to exercise collective creative happening, far from authorship and occurrence. I have wanted to work with loves, but above all with women; I have assumed the concern of activating works that will never be finished, of opening synesthetic dialogues between the sound of the landscape and the image that configures it; between touch and smell, between listening and placing the body. All of this becomes installations, performative actions, situated drawings, interventions in landscapes, photography, video, sounds and writing.

 

I am interested in thinking about art as more than a set of works, but as a vehement and committed act, with the full conviction of its broad discursive, collective and political capacity: art as purposeful acts to think.